The blogger shall not be considered in breach of contract to the extent that performance of their obligations is prevented by an event of force majeure defined as an act of God (such as, but not limited to, fires, explosions, earthquakes, drought, tidal waves and floods); war, hostilities (whether war be declared or not),
invasion, act of foreign enemies, mobilization, requisition, or embargo; rebellion, revolution, insurrection, or military or usurped power, or civil war; contamination by radio-activity from any nuclear fuel,
or from any nuclear waste from the combustion of nuclear fuel,
radio-active toxic explosive, or other hazardous properties of any
explosive nuclear assembly or nuclear component of such assembly; riot, commotion, strikes, go slows, lock outs or
disorder; acts or threats of terrorism; or a shit load of errands, one after another, all day long.
...but make everyone feel better. ~Mason Cooley
Saturday, December 1, 2012
Saturday, November 24, 2012
Think about how stupid the average person is...
Science says we're getting dumber. And I personally can't argue against that.
Astronomy geeks: zoom in on galaxy MACS J0647.7+7015, the most distant galaxy seen to date by the Hubble.
Aviation geeks: Lockheed Martin's Code One Magazine has a video page with first flights of aircraft from the XB-24 to the F-35. (My favorites are the XB-36 and the XB-58.)
Movie geeks: Behind the scenes photos from Raiders of the Lost Ark.
Just yesterday my son commented about some airport and a stupid place to put a runway. I wonder what he would think of these bizarre airport runways.
OK, just one more set of presidential voting maps by county, but this time there's an interesting animation of 112 years of presidential voting.
The FairTax. Basically a national sales tax to replace income tax. Hmm.
I'm not a huge fan of Poe, but this reading of The Raven by James Earl Jones is hard not to like.
An animated history of animation.
Here there be TL;DR.
A, B, and C players: "It is very hard to find people who can execute well on what they are asked to do." In this article about hiring, the observation is made that most people in the workforce are C players - they struggle to competently fill their role but can succeed with coaching. [I'm not sure I want to believe this. Are B players the best one can hope for? Is expecting A players just an example of grade inflation?]
SaaS and LTV: Here's more than you ever wanted to know about monitoring cancellation rates for your SaaS (software as a service) offering and how that affects your bottom line (e.g. knowing what kind of profit to expect from a customer over a lifetime gives you an idea of how much you can spend to get their business in the first place).
Reading vs. e-Reading: Yet another treatise against e-books based on a historical review of the tactile nature of reading. [With which I agree.]
What's in a name: A book-length review of a book about the significance of character names in literature begins with the rhetorical question why James Bond isn't named John Clark which made me wonder whether the reviewer knows that John Clark is the name of a spy in the books by Tom Clancy. If you are interested in exploring names, try the random name generator which is based on U.S. census data and let's you set an obscurity factor. For example, a less obscure result is Chris Whitener while a really obscure one is Willian [sic] Lieberg.
Speer. Albert Speer: Using the Nazi architect as an example, the author attempts to make the case that engineers need to learn more about humanity because they alone are responsible for creating the technologies of war and suppression. Starting from the position that engineers occupy an almost magical role in society because of their skill set, the author claims that students need to be force fed a curriculum of ethics to round out their agnostic allegiance to technology. Half correct - engineers do need more exposure to the humanities but non-engineers (i.e. everyone else) needs to develop an appreciation for and understanding of the sciences. (See C.P. Snow's The Two Cultures and the relevance of the 2nd law of thermodynamics and Shakespeare.) As for ethics specifically, I've never really bought in to the idea that it's something that can be learned in an undergraduate lecture hall. Instead it's something to be fostered and developed by one's upbringing. [Next week I think I'll link to an article about how politicians of both red and blue persuasions are antithetical to science.]
And now back to nuggets of inanity.
An interesting tale about the law, Mississippi, brewing, and Lazy Magnolia Brewing.
Test your beer knowledge with this 8 question quiz. I got 6 of 8 correct.
Get a whiff of this. Scientists have discovered a new smell: olfactory white. It's the scent equivalent of white noise. (Didn't we just write about white and pink noise last week?)
More free software from movie studios: DreamWorks has made OpenVDB available. (It's "a hierarchical data structure and a suite of tools for the efficient manipulation of sparse, possibly time-varying, volumetric data discretized on a three-dimensional grid." Think voxels.)
Rules for email signatures? I'll sign up for that. You've all seen the 40-line email sig. Back in the day, two lines were considered sufficient. Now the lawyers have intruded ("This email contains private information intended for the recipient only blah blah blah") as have the tree huggers ("Think twice before printing this email." Makes me want to print it just out of spite.) Admittedly, after reading this article I removed the separator and 1 line from my own sig.
For those of you who need templates from which to cut gears from wood, try this interactive, animated gear template generator.
If you just like animated machinery without the template generating, here's an animated gun turret.
Metal. Dress.
I guess I'm out of touch. Did you know that the old Convex crew has reunited to create Convey Computer? I recall being on a committee trying to decide whether to purchase a Convex or an Alliant supercomputer. Me and another guy were the only ones advocating the Alliant, for reasons I don't recall. But I digress...
How did I miss World Toilet Day on 19 November?
What could possibly link Mondrian to Super Mario? It's another case of form following function - the De Stijl movement's simplification forced Mondrian to become more creative just as the technical limitations of early video games forced composers to be much more creative while still creating tunes you can't unhear. Lest you think this is a one-off consider comic books and Roy Lichtenstein. Or how Roxy Music and Britain's pop art movement are intertwined.
Woop Woop
...and then realize that half of them are stupider than that. ~George Carlin
Astronomy geeks: zoom in on galaxy MACS J0647.7+7015, the most distant galaxy seen to date by the Hubble.
Aviation geeks: Lockheed Martin's Code One Magazine has a video page with first flights of aircraft from the XB-24 to the F-35. (My favorites are the XB-36 and the XB-58.)
Movie geeks: Behind the scenes photos from Raiders of the Lost Ark.
Just yesterday my son commented about some airport and a stupid place to put a runway. I wonder what he would think of these bizarre airport runways.
OK, just one more set of presidential voting maps by county, but this time there's an interesting animation of 112 years of presidential voting.
The FairTax. Basically a national sales tax to replace income tax. Hmm.
 |
| All those oatmeal raisin cookies add up. (Hint: I wear size XL.) |
An animated history of animation.
Here there be TL;DR.
A, B, and C players: "It is very hard to find people who can execute well on what they are asked to do." In this article about hiring, the observation is made that most people in the workforce are C players - they struggle to competently fill their role but can succeed with coaching. [I'm not sure I want to believe this. Are B players the best one can hope for? Is expecting A players just an example of grade inflation?]
SaaS and LTV: Here's more than you ever wanted to know about monitoring cancellation rates for your SaaS (software as a service) offering and how that affects your bottom line (e.g. knowing what kind of profit to expect from a customer over a lifetime gives you an idea of how much you can spend to get their business in the first place).
Reading vs. e-Reading: Yet another treatise against e-books based on a historical review of the tactile nature of reading. [With which I agree.]
What's in a name: A book-length review of a book about the significance of character names in literature begins with the rhetorical question why James Bond isn't named John Clark which made me wonder whether the reviewer knows that John Clark is the name of a spy in the books by Tom Clancy. If you are interested in exploring names, try the random name generator which is based on U.S. census data and let's you set an obscurity factor. For example, a less obscure result is Chris Whitener while a really obscure one is Willian [sic] Lieberg.
Speer. Albert Speer: Using the Nazi architect as an example, the author attempts to make the case that engineers need to learn more about humanity because they alone are responsible for creating the technologies of war and suppression. Starting from the position that engineers occupy an almost magical role in society because of their skill set, the author claims that students need to be force fed a curriculum of ethics to round out their agnostic allegiance to technology. Half correct - engineers do need more exposure to the humanities but non-engineers (i.e. everyone else) needs to develop an appreciation for and understanding of the sciences. (See C.P. Snow's The Two Cultures and the relevance of the 2nd law of thermodynamics and Shakespeare.) As for ethics specifically, I've never really bought in to the idea that it's something that can be learned in an undergraduate lecture hall. Instead it's something to be fostered and developed by one's upbringing. [Next week I think I'll link to an article about how politicians of both red and blue persuasions are antithetical to science.]
And now back to nuggets of inanity.
An interesting tale about the law, Mississippi, brewing, and Lazy Magnolia Brewing.
Test your beer knowledge with this 8 question quiz. I got 6 of 8 correct.
 |
| Because it gets cold on that sled. (Hint: I wear size XL.) |
More free software from movie studios: DreamWorks has made OpenVDB available. (It's "a hierarchical data structure and a suite of tools for the efficient manipulation of sparse, possibly time-varying, volumetric data discretized on a three-dimensional grid." Think voxels.)
 |
| Print vs. online advertising. One nit to pick - magazines aren't included. I would also like to see this compared to readership. |
For those of you who need templates from which to cut gears from wood, try this interactive, animated gear template generator.
If you just like animated machinery without the template generating, here's an animated gun turret.
 |
| I'm sorry, but you can't just slap bacon on anything. F for effort. F for execution too (bacon doesn't even go all the way around.) Bacon wrapped Twinkie. |
I guess I'm out of touch. Did you know that the old Convex crew has reunited to create Convey Computer? I recall being on a committee trying to decide whether to purchase a Convex or an Alliant supercomputer. Me and another guy were the only ones advocating the Alliant, for reasons I don't recall. But I digress...
How did I miss World Toilet Day on 19 November?
 |
| Reason I'm Going to Hell #9 - Cheesus Christ, Our Grate Lord |
Woop Woop
...and then realize that half of them are stupider than that. ~George Carlin
Sunday, November 18, 2012
An Employee's Parents' Place is NOT the Workplace
I just read something so incredibly stupid that I have to share it with you and rant.
In the November 2012 issue of Free Enterprise, a newsletter from the U.S. Chamber of Commerce, there's an article titled Managing Millennials: A Crash Course by Jennifer Kushell, founder of Young & Successful Media. Here's a quote:
Certainly, I expect and encourage employees of any age to share workplace issues with their parents (spouse, clergy, friends, life coach, etc.) to gain from the latter's experience and wisdom. But that's to be kept outside the workplace.
And if you're a Millennial I suggest you read the article and decide for yourself whether you want to be lumped into a group that's saddled with so much generational baggage. That goes for you Gen-X, Gen-Y, Gen-Whatevers too.
In the November 2012 issue of Free Enterprise, a newsletter from the U.S. Chamber of Commerce, there's an article titled Managing Millennials: A Crash Course by Jennifer Kushell, founder of Young & Successful Media. Here's a quote:
"Parenting: Millennials are extremely close with their parents. It is a fuzzy line these days as to what is the appropriate level of parental involvement in interviews, discipline, contract negotiations, etc. It's up to you to set boundaries, but making helicopter parents your allies can pay off as well."No, it is not a "fuzzy line." The appropriate level of parental involvement is precisely ZERO. I have a hard time even imagining parental involvement in an interview. If you show up for an interview or a disciplinary meeting or whatever with your parents let me promise you that they'll be shown the door followed shortly by you. It would be a galling display of immaturity and unprofessionalism on the employee's part and shameful meddling on the parents' part.
Certainly, I expect and encourage employees of any age to share workplace issues with their parents (spouse, clergy, friends, life coach, etc.) to gain from the latter's experience and wisdom. But that's to be kept outside the workplace.
And if you're a Millennial I suggest you read the article and decide for yourself whether you want to be lumped into a group that's saddled with so much generational baggage. That goes for you Gen-X, Gen-Y, Gen-Whatevers too.
Saturday, November 17, 2012
Genesis Revisited II by Steve Hackett
Remastering, reimagining, and revisiting music is fraught with peril. For example, I cringe and roll my eyes whenever I hear of a rocker reimagining their work with a full orchestra. On the other hand, remastering can yield fantastic results in the same way restoration breaths new life into a painting. (For a perfect example, listen to Steven Wilson's work on King Crimson's albums, especially In the Court of the Crimson King.)
Which leads us to revisiting. This is Steve Hackett's second revisitation of Genesis' catalog. The first (1996) is good with a few exceptions. (I think it's I Know What I Like that is turned into something silly.) So it was with great anticipation that I looked forward to Genesis Revisited II which begins, coincidentally, with my litmus test - The Chamber of 32 Doors. And this track is really wonderful - a really great way to start the album.
Let's stipulate to the fact that all the tracks on this 2 CD collection have been lovingly and faithfully rerecorded by superb musicians. As you'd probably expect, Hackett's guitar playing gets special treatment with additional bits added and a "front and center" placement. In fact, other than the guitar and vocal parts I keep thinking of this as a remastering of the original songs - that's how faithful the arrangements and playing are to the source material. Everything's brighter and clearer and unmuddled, especially compared to the vinyl versions I'm used to.
Because I'm so intimately familiar with Genesis' catalog what I notice the most are changes to the vocals. If I read the liner notes correctly, it's Nik Kershaw who takes over Peter Gabriel's vocals on Lamia and really nails the naivete and innocence of the Rael character as he is seduced by the Lamia.
Fly on a Windshield, while clocking in at only 3 minutes, sounds absolutely fantastic and makes me wonder whether anyone has thought about remastering the entire The Lamb Lies Down on Broadway album. (Are you listening, Steven Wilson?) Unfortunately, Broadway Melody of 1974 doesn't get high marks from me, mostly due to the vocals (by Gary O'Toole?). He sounds too much like a hotel lounge singer - which might have been the intent but I hear it as a step backward. This goes doubly so for his contributions to Blood on the Rooftops. On the other hand, the relatively obscure Can-Utility and the Coastliners is sung to great effect by Steven Wilson who also benefits from perhaps one of the best reworkings of music on the entire album, mostly due to what I perceive as a widened dynamic range.
Ripples, one of Genesis' more radio-friendly early hits, was never one of my favorites but Amanda Lehmann's vocals give the song a slightly edgier feel and a stronger sense of longing. And the pair of Unquiet Slumbers for the Sleepers and In That Quiet Earth make up perhaps my favorite section of the album simply because it's great to hear cleaned-up versions of those two tracks. Those two bring us to the anthem-like Afterglow about which my only minor complaint is that John Wetton's pipes just ain't what they used to be (possibly evidenced by how his vocals are over-processed).
Four of Hackett's solo works are also included on this album: Please Don't Touch, Camino Royale, A Tower Struck Down, and Shadow of the Hierophant. I'll only say one thing: Mr. Hackett should leave the vocals to others and stick to the guitar.
Here's the obligatory name dropping of some of the artists who appear on Genesis Revisited II: Steven Wilson, Nick Beggs, Steve Rothery, Nick Magnus, Neal Morse, and John Wettton.
If you're a fan of Hackett-era Genesis, you'll enjoy Genesis Revisited II.
Now, if I can only get someone working on that Lamb remaster.
You should now go to wajobu.com and read a review of Genesis Revisited II written by someone who's much better at translating his aural impressions to the written word.
Hackett's website, www.hackettsongs.com, includes most everything you'll want to know about the artist and his work.
Which leads us to revisiting. This is Steve Hackett's second revisitation of Genesis' catalog. The first (1996) is good with a few exceptions. (I think it's I Know What I Like that is turned into something silly.) So it was with great anticipation that I looked forward to Genesis Revisited II which begins, coincidentally, with my litmus test - The Chamber of 32 Doors. And this track is really wonderful - a really great way to start the album.
Let's stipulate to the fact that all the tracks on this 2 CD collection have been lovingly and faithfully rerecorded by superb musicians. As you'd probably expect, Hackett's guitar playing gets special treatment with additional bits added and a "front and center" placement. In fact, other than the guitar and vocal parts I keep thinking of this as a remastering of the original songs - that's how faithful the arrangements and playing are to the source material. Everything's brighter and clearer and unmuddled, especially compared to the vinyl versions I'm used to.
Because I'm so intimately familiar with Genesis' catalog what I notice the most are changes to the vocals. If I read the liner notes correctly, it's Nik Kershaw who takes over Peter Gabriel's vocals on Lamia and really nails the naivete and innocence of the Rael character as he is seduced by the Lamia.
Fly on a Windshield, while clocking in at only 3 minutes, sounds absolutely fantastic and makes me wonder whether anyone has thought about remastering the entire The Lamb Lies Down on Broadway album. (Are you listening, Steven Wilson?) Unfortunately, Broadway Melody of 1974 doesn't get high marks from me, mostly due to the vocals (by Gary O'Toole?). He sounds too much like a hotel lounge singer - which might have been the intent but I hear it as a step backward. This goes doubly so for his contributions to Blood on the Rooftops. On the other hand, the relatively obscure Can-Utility and the Coastliners is sung to great effect by Steven Wilson who also benefits from perhaps one of the best reworkings of music on the entire album, mostly due to what I perceive as a widened dynamic range.
Ripples, one of Genesis' more radio-friendly early hits, was never one of my favorites but Amanda Lehmann's vocals give the song a slightly edgier feel and a stronger sense of longing. And the pair of Unquiet Slumbers for the Sleepers and In That Quiet Earth make up perhaps my favorite section of the album simply because it's great to hear cleaned-up versions of those two tracks. Those two bring us to the anthem-like Afterglow about which my only minor complaint is that John Wetton's pipes just ain't what they used to be (possibly evidenced by how his vocals are over-processed).
Four of Hackett's solo works are also included on this album: Please Don't Touch, Camino Royale, A Tower Struck Down, and Shadow of the Hierophant. I'll only say one thing: Mr. Hackett should leave the vocals to others and stick to the guitar.
Here's the obligatory name dropping of some of the artists who appear on Genesis Revisited II: Steven Wilson, Nick Beggs, Steve Rothery, Nick Magnus, Neal Morse, and John Wettton.
If you're a fan of Hackett-era Genesis, you'll enjoy Genesis Revisited II.
Now, if I can only get someone working on that Lamb remaster.
You should now go to wajobu.com and read a review of Genesis Revisited II written by someone who's much better at translating his aural impressions to the written word.
Hackett's website, www.hackettsongs.com, includes most everything you'll want to know about the artist and his work.
 |
| This review is based on the special autographed version of the album purchased from the artist's website. |
When asked about their favorite shampoo...
Are you afraid to relax? Yes, afraid of relaxation. If so, you're not alone. Seems psychologists at the University of Cincinnati have developed something called the Relaxation Sensitivity Index that explains why relaxation can make some people anxious including physical, cognitive, and social components. Imagine not liking a massage. Imagine relaxation being equated to loss of control. Imagine fearing that relaxation is a sign of laziness. Believe it or not, there is also something called fear of arousal which may be related.
Last week it was the history of popular music infographic/poster. This week it's the history of film: 2,000 films, 20 genres, 100 years. The earliest (first) sci-fi film mentioned is Twenty Thousand Leagues Under the Sea.
It's often curious how certain things come to pass. It was "avant-garde synthpop" band Art of Noise's 1999 album The Seduction of Claude Debussy that asked what it was like musically to be on the verge of a new century and what we might learn from Debussy who radically changed the course of music at the beginning of the 20th century. Since then I've become quite a fan of Debussy's work. In this WSJ article about Debussy, we read about how he was able to mix gorgeous harmonies and intricate, almost mathematical, form.
You can't be too careful. Before you go swimming use the global shark tracker to find out whether any of these nasty critters are in the water near you.
Not exactly craft beer, but fine examples of craft beer labels.
The Onion's DEHUMANIZER is just a fun tool for turning any image into old-school ASCII art. But to double your fun, check out this particular image. (It's hard not to stare at the animation of the original image, isn't it? Also, in addition to being sophomoric this image may also be categorized as misogynistic in a phallic, Fellini-esque sort of way. But, trust me, I'm not neurotic enough to get past sophomoric.)
At first, when I read that I could control Romo with my smartphone I thought "Great, I can keep him from throwing those stupid chuck-and-duck interceptions." As it turns out, however, Romo is a robot for your smartphone. (Unfortunately, it doesn't appear it'll ship in time for Xmas.)
Please enjoy this 2D, hand drawn, black and white, abstract music animation: Hide.
Musician Peter Gabriel shares this list of TED Talks that he believes will stand the test of time and Brian Eno talks about economics and other stuff. (You can listen to Terry Riley's In C here.)
The new Chinese stealth fighter, the J-21, had its first flight.
Piss. Powered. Advertising.
All planets do not orbit stars. Some are just zipping through space. Like rogue planet CFBDSIR2149-0403. Regarding those stars, check out 100,000 Stars, an interactive way to browse the cosmos.
If you enjoy Clients from Hell or Not Always Right (which is a bit of masochism because I'm looking to find things I've said), you'll get a kick out of this creative team who posterized their clients' most boneheaded suggestion. Sharp Suits creates art from things like "Irish people can't read italics" and "Can you make the logo bigger."
Here's a great blog post from former Space Shuttle flight director and program manager Wayne Hale about the perils of risk management.
Yet another essay lamenting the rise of e-books. [Note: TL;DR] Suffice it to say, reading an e-book is to reading a real book as viewing online pr0n is to having le sexy time with a real live woman.
The main problem with communication is the illusion that it has occurred (unattributed and improperly quoted). Here are 10 air disasters caused by poor communication. On a less depressing note, here are 11 things you might not know about the USAF beginning with the fact that their weathermen are tough guys.
Maps, maps, and election maps. Forget that blue state, red state brain dead visualization. (Acreage doesn't vote.) Check out this purplish map or this one distorted by population.Or just say screw it all and use NUKEMAP to drop a bomb somewhere. (Interestingly, I'm outside the radiation radius for a 1 MT explosion over Fort Worth.)
Now more NFL design goodness, but this time with real data. The NFL Spider is a way to visualize any team's rushing offense.
How good are you with colors? No, I'm not talking about being able to identify fuchsia. Just try the color matching game.
I would've included this higher in the post but it's so genius that you never would've gotten past it (if you're like me). Enter this portal to The Useless Web.
And I leave you with something that's hard to unsee - The Salmon of Capistrano.
...the top response from women was "How the hell did you get in here?"
Last week it was the history of popular music infographic/poster. This week it's the history of film: 2,000 films, 20 genres, 100 years. The earliest (first) sci-fi film mentioned is Twenty Thousand Leagues Under the Sea.
 |
| Mark Rothko's No. 1 (Royal Red and Blue) was sold at auction for $75 million, the second highest amount ever paid for one of his paintings at auction. The painting had local ties, having been consigned by Fort Worth oil heiress Anne Marion. |
You can't be too careful. Before you go swimming use the global shark tracker to find out whether any of these nasty critters are in the water near you.
Not exactly craft beer, but fine examples of craft beer labels.
The Onion's DEHUMANIZER is just a fun tool for turning any image into old-school ASCII art. But to double your fun, check out this particular image. (It's hard not to stare at the animation of the original image, isn't it? Also, in addition to being sophomoric this image may also be categorized as misogynistic in a phallic, Fellini-esque sort of way. But, trust me, I'm not neurotic enough to get past sophomoric.)
At first, when I read that I could control Romo with my smartphone I thought "Great, I can keep him from throwing those stupid chuck-and-duck interceptions." As it turns out, however, Romo is a robot for your smartphone. (Unfortunately, it doesn't appear it'll ship in time for Xmas.)
Please enjoy this 2D, hand drawn, black and white, abstract music animation: Hide.
Musician Peter Gabriel shares this list of TED Talks that he believes will stand the test of time and Brian Eno talks about economics and other stuff. (You can listen to Terry Riley's In C here.)
 |
| Finally. Teh interwebs are dominated by cats. Now there's puppy text. |
Piss. Powered. Advertising.
All planets do not orbit stars. Some are just zipping through space. Like rogue planet CFBDSIR2149-0403. Regarding those stars, check out 100,000 Stars, an interactive way to browse the cosmos.
 |
| Photographer Tristan Hoare shows us physicists' blackboards in his series Momentum and proves to me that whiteboards will never have this level of depth and richness and humanity. Makes me want to put a blackboard in my office tomorrow. (Too bad I don't have anything nearly as intelligent as quantum mechanics to write on it.) |
Here's a great blog post from former Space Shuttle flight director and program manager Wayne Hale about the perils of risk management.
 |
| A fully illustrated how-to guide for creating an H.R. Giger (i.e. Alien) inspired mouse. |
The main problem with communication is the illusion that it has occurred (unattributed and improperly quoted). Here are 10 air disasters caused by poor communication. On a less depressing note, here are 11 things you might not know about the USAF beginning with the fact that their weathermen are tough guys.
Maps, maps, and election maps. Forget that blue state, red state brain dead visualization. (Acreage doesn't vote.) Check out this purplish map or this one distorted by population.Or just say screw it all and use NUKEMAP to drop a bomb somewhere. (Interestingly, I'm outside the radiation radius for a 1 MT explosion over Fort Worth.)
 | ||
| NFL team logos reimagined by Matt McInerney. Can you guess which team this is? He hasn't done all the teams yet so keep on eye on his page. |
How good are you with colors? No, I'm not talking about being able to identify fuchsia. Just try the color matching game.
I would've included this higher in the post but it's so genius that you never would've gotten past it (if you're like me). Enter this portal to The Useless Web.
And I leave you with something that's hard to unsee - The Salmon of Capistrano.
...the top response from women was "How the hell did you get in here?"
Sunday, November 11, 2012
Deep by Stick Men
Tony Levin (Chapman Stick), Markus Reuter (touch guitar), and Pat Mastelotto (drums) might appear at first glance to be the rhythm section of a much larger band but with their unique instruments and pure skill at playing them the result is a richly melodic, highly percussive, and fun suite of music.
Deep consists of 9 tracks, mostly within the 4-6 minute range except for the last two. Sepia and Whale Watch clock in at nearly 9 and 10 minutes, respectively.
I've already hinted at the opening track, Nude Ascending Staircase. Rumbling up-tempo baselines are paired with Mastelotto's drumming and bonded with a soaring melodic line that taken together is tight, tight, tight. These guys are ripping it up. This is followed by On Off, a slower piece with almost a wave-like feel emphasized offset by an intricate guitar line just under the surface. The entire third track, Cusp, has the entire trio playing percussively - or stated differently, Mastelotto's drumming joins the melody.
Hide the Trees is one of my favorite tracks from the album as it covers a lot of musical ground from a tight rhythmic core to a funky melodic line. Crack in the Sky features spoken word lyrics (presumably by Levin) and I'm not sure they contributed anything to the song. Next comes the likable Horatio followed by Concussion in which everyone seems to be playing the percussion part to wonderful effect.
Sepia brings together everything that makes this trio of performers so fantastic - great interplay and layering of sound, back and forth melodic and percussion lines, and unassailable technique. And finally there's Whale Watch. Levin in particular always seems to have a great sense of humor and I can't help think he's being a bit self-referential here as this 10 minute bombastic, progressive piece brings Deep to a resounding conclusion. (It also sounds more like Levin's solo work than any of the other tracks.)
There's no noodling around or improvisation on Deep (at least to my ears). It's a rigorously scripted, tightly played, and wonderfully produced album of progressive rock music.
Deep was a "direct to fan" project on PledgeMusic where I purchased (and am still waiting to receive) my autographed copy of the CD. This review was based on the mp3 downloads.
Saturday, November 10, 2012
Even duct tape can't fix stupid...
Today's soundtrack: An Evening with John Petrucci and Jordan Rudess.
It used to be that a band toured to promote album sales. Now it's the touring that brings in the money. How things have changed. Read about it and the social aspects of recording technology in Breaking Down Walls of Sound.
Mystery Science Theater 3000 was an LOL machine before LOL even existed. Totally hilarious. Ever wonder how they chose the movies they skewered?
Last week, bookshelf porn. This week, what's hidden behind those bookshelves: secret doors.
Last week, urine wheel. This week, beer flavor wheel.
A map of U.S. drone strikes in Pakistan.
Hold on to your socks. Light has been caught behaving as a wave and as a particle. At. The. Same. Time.
Do you like art you can no longer see? Check out the Tate's gallery of lost art. For example, Kandinsky's Composition I (1910) was lost in a WWII bombing raid.
And now, a moment with Clyfford Still.
Clyfford Still's abstract paintings are rapidly becoming some of my very favorites. He may very well be one of the greatest American artists that no one knows about. To me, his paintings unveil tension that's hiding just beneath the canvas' surface. His brush work is finely detailed yet has the spontaneity of a knife's slash. His palette and use of color balances the shape of his forms. There is the sense that the paintings go on forever but we're just seeing a portion through the lens of the canvas. I can't wait for the opportunity to visit his museum in Denver.
You can come up to speed on Still's work by listening to a recent edition of the Modern Art Notes podcast in which art scholar and adjunct curator of the Clyfford Still Museum, David Anfam, talks about some of Still's influences.
To see more Stills, check out the collection at the San Francisco MoMA.
Not every vertical line in an abstract painting is a human figure nor is every horizontal line a horizon. But Still and Newman could both take credit for the zip.
Before returning to the gibberish, consider artist (and Syracuse University alum) Sol Lewitt. How do you make a film about a guy who didn't want to be photographed? How do you capture on film conceptual art that is "an obsession pushed to the limit of paradox and absurdity?"
And lest you think I have forgotten about Mark Rothko, here's a peak at the exhibit Rothko/Sugimoto at the Pace London in which we are asked to compare Rothko's later and darker works with Sugimoto's black and white seascape photos. Other than composition and perhaps artists' intent, I'm not feelin' it. Rothko vehemently denied including a horizon in his paintings. And while I'm admittedly not a huge fan of photography, the photos are a bit sterile by comparison.
And now back to the gibberish.
Weird things programmers do.
Play this or that. For example, would you rather eat a million spiders or bite off a snake's head. EASY - snake.
Why so many videos?
I have no idea.
In one minute, the story of the world.
I have not yet had a chance to watch this video all the way through, but if you like electronic music of any kind check out I Dream of Wires: The Modular Synthesizer Documentary.
This is awesome: an animation set to jazz for the film Journey to Journey.
I have no idea what Pjoni - Chasm is about or where it comes from. It's animated. And it features an aircraft that looks like the XB-70. And that's what sold me.
Turning sounds into visuals.
Blue Note: A Story of Modern Jazz
Space. Outer Space.
Think you know the Space Shuttle? Then I suggest you read the blog of retired Space Shuttle Program Manager Wayne Hale. "A lot of people think NASA is risk averse; or even that our country is risk averse. I think the opposite is true; we are willing to take great risks. It’s just that sometimes we are not very smart about taking risks."
Speaking of space, how about this auction of space flight and aviation memorabilia? A flag that flew on Apollo 11 has a minimum bid of $1,000.
How the heck did the Mars Science Lab take this self portrait?
...but it can muffle the sound.
It used to be that a band toured to promote album sales. Now it's the touring that brings in the money. How things have changed. Read about it and the social aspects of recording technology in Breaking Down Walls of Sound.
 |
| A mobius strip of bacon. (Too bad it's a 3D printing, not the real thing.) |
 |
| From I Am Better Than Your Kids - the greatest example of irony |
Last week, urine wheel. This week, beer flavor wheel.
 |
| Find your favorites in this genealogical infographic of pop and rock music. (Note: no one in the image above is close to being my favorite.) |
Hold on to your socks. Light has been caught behaving as a wave and as a particle. At. The. Same. Time.
Do you like art you can no longer see? Check out the Tate's gallery of lost art. For example, Kandinsky's Composition I (1910) was lost in a WWII bombing raid.
And now, a moment with Clyfford Still.
Clyfford Still's abstract paintings are rapidly becoming some of my very favorites. He may very well be one of the greatest American artists that no one knows about. To me, his paintings unveil tension that's hiding just beneath the canvas' surface. His brush work is finely detailed yet has the spontaneity of a knife's slash. His palette and use of color balances the shape of his forms. There is the sense that the paintings go on forever but we're just seeing a portion through the lens of the canvas. I can't wait for the opportunity to visit his museum in Denver.
 |
| Clyfford Still, 1944-N No. 1 |
 |
| Several paintings by Clyfford Still that I had the pleasure of seeing on a visit to the Albright-Knox Gallery in Buffalo. |
Not every vertical line in an abstract painting is a human figure nor is every horizontal line a horizon. But Still and Newman could both take credit for the zip.
Before returning to the gibberish, consider artist (and Syracuse University alum) Sol Lewitt. How do you make a film about a guy who didn't want to be photographed? How do you capture on film conceptual art that is "an obsession pushed to the limit of paradox and absurdity?"
And lest you think I have forgotten about Mark Rothko, here's a peak at the exhibit Rothko/Sugimoto at the Pace London in which we are asked to compare Rothko's later and darker works with Sugimoto's black and white seascape photos. Other than composition and perhaps artists' intent, I'm not feelin' it. Rothko vehemently denied including a horizon in his paintings. And while I'm admittedly not a huge fan of photography, the photos are a bit sterile by comparison.
 |
| Rothko (left) and Sugimoto (right) at the Pace London. |
 |
| History. Dullards wearing wigs, right? Nope. Check out the bonnacon - it sprays its pursuers with its caustic turds. I shit you not. No one less than Pliny the Elder wrote about it. What? You don't know Pliny the Elder? Perhaps you know his son Pliny the Younger through his writings about Pompeii. |
Play this or that. For example, would you rather eat a million spiders or bite off a snake's head. EASY - snake.
Why so many videos?
I have no idea.
In one minute, the story of the world.
I have not yet had a chance to watch this video all the way through, but if you like electronic music of any kind check out I Dream of Wires: The Modular Synthesizer Documentary.
This is awesome: an animation set to jazz for the film Journey to Journey.
I have no idea what Pjoni - Chasm is about or where it comes from. It's animated. And it features an aircraft that looks like the XB-70. And that's what sold me.
Turning sounds into visuals.
Blue Note: A Story of Modern Jazz
Space. Outer Space.
Think you know the Space Shuttle? Then I suggest you read the blog of retired Space Shuttle Program Manager Wayne Hale. "A lot of people think NASA is risk averse; or even that our country is risk averse. I think the opposite is true; we are willing to take great risks. It’s just that sometimes we are not very smart about taking risks."
Speaking of space, how about this auction of space flight and aviation memorabilia? A flag that flew on Apollo 11 has a minimum bid of $1,000.
How the heck did the Mars Science Lab take this self portrait?
...but it can muffle the sound.
Subscribe to:
Posts (Atom)
